June/40 - early 1942
MEMBERS:
Bill Kenny (tenor voice), Orville "Hoppy" Jones (bass voice, cello strung as bass or bass), Ivory "Deek" Watson (2nd tenor voice, guitar ), Charlie Fuqua (baritone voice, guitar, ukelele), Asa "Ace" Harris (pianist, arranger) |
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Deek Watson, Bill Kenny, Orville Jones, Charlie Fuqua and pianist Ace Harris performing I've Got A Bone To Pick With You from the movie The Great American Broadcast, 1941. |
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A better photo of this group showing Ace Harris at the piano and their manager Moe Gale (standing, center) |
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Recordings:
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11Jun/40 |
Whispering Grass Maybe |
Released Jul/40 - 3258A Released Jul/40 - 3258B |
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24Jun/40 |
Stop Pretending I'm Only Human You're Breaking My Heart All Over Again |
Released Aug/40 - 3288A Released Nov/40 - 3468B Released Aug/40 - 3288B |
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16Jul/40 |
We Three Puttin' and Takin" Java Jive |
Released Oct/40 - 3379B Released Nov/40 - 3468A Released Nov/40 - 3432B |
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8Aug/40 |
I'll Never Smile Again Do I Worry? |
Released Sep/40 - 3346A Released Nov/40 - 3432A |
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20Aug/40 |
I Could Make You Care My Greatest Mistake Don't Ever Break A Promise |
Released Sep/40 - 3346B Released Oct/40 - 3379A Never released on 78RPM in North America. Released in England on Brunswick - BR04183 |
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23Dec/40 |
So Sorry Ring, Telephone, Ring I Can't Stand Losing You That's When Your Heartaches Begin Why Didn't You Tell Me
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Released May/41 - 3806B Released Feb/41 - 3626B Released Mar/43 - 18542B Released May/41 - 3720A
Released May/41 - 3872A (we have never seen a U.S. pressing of this
record although we are aware of the English Brunswick and Decca Canadian
pressings) |
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30Dec/40 |
I'd Climb the Highest Mountain What Good Would It Do? |
Released Sep/45 - 18711A Released May/41 - 3720B |
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23Jan/41 | Please Take A Letter Miss Brown | Released Feb/41 - 3626A | |
4Feb/41 |
Driftwood
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Released Jul/41 - 3872 (we have never seen a U.S. pressing of this record although we are aware of a Canadian pressing) Released Mar/41 - 3656B |
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25Jul/41 |
Keep Cool, Fool Until the Real Thing Comes Along Hey, Doc |
Released Aug/41 - 3958A Released Aug/41 - 3958B Released Sep/41 - 3987B |
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12Aug/41 |
It Isn't A Dream Anymore Nothin' |
Released Mar/42 - 4194B Released Nov/41 - 4045A |
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21Aug/41 | I Don't Want To Set the World On Fire | Released Sep/41 - 3987A | |
27Aug/41 | Don't Leave Now | Released Apr/42 - 4303A | |
6Oct/41 |
Foo-Gee Mine, All Mine, My My I'm Not the Same Old Me |
Released Apr/42 - 4303B Released Nov/42 - 18528B Released Aug/42 - 18461B |
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13Oct/41 |
Someone's Rocking My Dreamboat Shout, Brother, Shout |
Released Nov/41 - 4045B Released Mar/42 - 4194A |
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17Nov/41 |
It's A Sin To Tell A Lie Is It A Sin |
Released Jan/42 - 4112A Released Jan/42 - 4112B |
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Radio: Probably because of their busy vaudeville and night club schedule, we have found only about 25 radio shows for this group. Most are their own NBC 15 minute shows but others included The Kraft Music Hall with Bing Crosby and the Chamber Music Society of Lower Basin Street. | |||
Vaudeville and Night Clubs: When Ace Harris replaced Bob Benson as pianist/arranger in June of 1940, the Ink Spots were appearing at the Little Rathskeller in Philadelphia, PA as part of a long, about 12 weeks, engagement (this may have been a result of the negotiated release of the Ink Spots from part of their 1939 contract so they could appear at the Hippodrome in Baltimore and the Paramount in New York). This was followed by another long engagement of eight weeks at the Blackhawk in Chicago. Following these two long appearances, they were on the road almost continuously, except for a break to make the movie, The Great American Broadcast. They did major tours with their Sunset Royal/NBC Orchestra and Erskine Hawkins Orchestra plus appearances with other orchestras including Ella Fitzgerald, Harry James, Louis Prima, and Floyd Campbell. They were held over at the Paramount in NYC in December of 1940 (for a second week with a new show) and July-Aug/41 (for a total of 4 weeks with a new, all-white show added for the second 2 weeks featuring the Ink Spots as an "added attraction"). The first 2 weeks consisted of an all-black show, "Lineup represents one of the few exclusively colored packages the Par has used, bill having been arranged as backing for the Ink Spots, who have been played so many weeks here the past year they're almost a house group." [Variety, 6Aug/41] The group was so popular that they did 1941 New Year's appearances in Detroit at 2 theaters - the Michigan and the Palm State. On 27August/41, this goup made the first of 3 consecutive Ink Spots appearances at the Annual Harvest Moon Ball amateur dance contest held at Madison Square Gardens in NYC. |
Revised 8March2018